Launch Party or Strapping on my Tail like a Big Girl

Waiting for a launch party to happen is a funny thing, especially if you work at the place the party is going to be at. Flyers with my picture on them were hung on the bulletin boards and there was a stack of handouts on the desk right next to me. It was a little weird to have pictures of myself hanging around the library, but it was entertaining. I lost count of how many people looked back and forth, back and forth, from me to the flyers, me to the flyers. Then I would hear them whisper to one another, "Is that her?"
"Nah."
"No, I think it is."
"I don't think so. Maybe."
Finally they'd ask, "Hey, is this you?"
I'd smile and say yes, and they would usually have a look of surprise or amazement. I mean, famous authors don't have real jobs, right? (Yes, some people even use that crazy 'F' word. Famous. To which I have to laugh.)

Anyway, I know I could have just piped up and said "That's me!" When I saw them looking, but it's so much more entertaining to see people try to figure out whether it was really me or not.

After a few weeks of flyer entertainment, the day of the party finally came. We made monster cupcakes. The head librarian came back from her vacation early just to be there and to make them with my kids. Isn't that sweet?!




Cute & tasty!



When the time came for me to get up in front of everyone, I thought I was ready, but I did get a little nervous. There were about forty people there and some of them were grownups! I was a big girl, though. I put on my tail and got up there.

I couldn't believe so many people showed up just to see me. Some of them I knew, but many of them I didn't. So, I started off by talking about how much I love books. I told them about how I love books so much that I write them. I told them that that's why I started working at the library, so I could be around more books.

Then I told them all sorts of things about Bedtime Monster. I talked about how long I'd been waiting for the book to come out. I showed them the original cover(they all agreed that Bonnie's cover was much better.) I talked about Bonnie and how she is the illustrator. Then we read the book. It went great! The kids stayed interested the whole time, and I didn't die because a bunch of grownups were watching me. Victory!

Then we all went and partied down. We made monsters out of some monster parts I'd made, did monster origami, put on monster tattoos, and ate popcorn and cupcakes. We even had live music provided by my husband and this crazy guy wearing a tattoo on his head.

Every party needs a crazy guy who lets the kids put tattoos on his head.

I got to sign some books too! A few people stopped in just to buy my books. I was amazed! Yup, this is where I sat and signed them.

Now, you may wonder why I'm not sitting here, and why I don't have a bunch of great pictures of all the fun stuff we did. Well, I have a little boy who loves to take pictures. He's really quite good at it. He wanted to be the photographer. With all the book stuff I've had going on my kids have really been learning a lot about writing and business and I think it's great for them to participate so, of course, I said yes. I went over things with him beforehand. I know, at the event I should have told him, "here take a picture of this, take a picture of that," but I ended up being a lot busier than I imagined. I mean, it was like I was the host to forty people and the guest of honor. My little guy did take a lot of pictures, he just kinda forgot that I needed them to be of things I could actually use. Oh well, he had fun.

I had another library presentation the next week, but it wasn't such a big production. The crowd was a lot smaller, but the intimacy was nice. I really got to talk to people. And the funny thing was, I wasn't even nervous. I feel ready to strap on my tail and do my next three library presentations in the spring!

New

I've been dying to tell you all about my library visits. Unfortunately my computer has not been cooperating. It took a while to figure out the problem, but my husband finally figured out that the hard drive was broken. The new one took FOR-EV-ER to get here. It had a nice little week's vacation in Florida on it's way. (Yes, that almost makes me jealous. It's been freezing around here lately!)

What was on the old hard drive that broke? Well, everything, but most importantly, my writing. No, like a big dork, I did not have it backed up. I do have lots of hard copies. I have a lot of typing to do. I did lose some current drafts but I'm okay with that. Drafts are always changing and I'm taking the opportunity to make things better as I go. Am I happy that I will be re-typing the 120 handwritten pages of my YA novel? Not really. I'm still holding out hope that I have it on a memory stick around here somewhere.

There's something exciting about having a squeaky clean computer though. I feel so organized. The draft I put up of a manuscript will be the only one. I am going to make sure I don't junk it up with different drafts with poorly thought out titles such as (Manuscript name) current or new or use this one. Brilliant huh? Well no more of that. This time I'm going to keep it clean. I'm going to find a way to keep my writing more organized. Starting now.

A Review! (and stuff)

Booklist reviewed Bedtime Monster, and it's a nice one. Yay! It's my first review so I'm excited! You can read it at booklistonline.com if you're interested.

Fun things have been happening with my little book and me lately. Yesterday eight copies of Bedtime Monster arrived at the library while I was working and I got to check them in. I put one on the shelf and one in a bedtime display to go along with my release party tomorrow. I've got my tail and monster tattoos ready to go. I have a create-a-monster craft all together. Hopefully tomorrow I'll get my monster origami craft finished up. It's been a little tricky getting the dotted folding lines in just the right place. I also got a nice write up in the local paper with a big photo of my book cover and a little photo of me. Just the way I like it. Ha! Tomorrow is definitely going to test the depths of my outgoingness. I'll be sure to tell you how it all goes.

Weeding

I've been doing a lot of weeding at the library lately--pulling books off the shelves and packing them up to send to the library system's distribution center. I thought it would be hard for me to take any books off the shelves, especially in the children's section. Funny enough, that was the easiest place for me to pull books from. I know that section best and have read most all of the books in it(don't be too impressed, my library isn't that big). I definitely have opinions on which books are great and which aren't. I know which books are checked out a lot and which ones sit. I was a little sad about having to get rid of some oldies but goodies that were worn, but I have a feeling there are newer copies in the library system I can order in if I want to. So yeah, it was kind of fun weeding the children's section. It's definitely going to be easier for the kids to pull out books, the shelves were getting a little tight. And now I can order in a bunch of new books and freshen things up. Of course, I'll have to read them too!

I had thought that weeding the adult fiction would be easy. I was so wrong. I don't know a whole lot about those books. I know the popular authors like Catherine Coulter and Danielle Steele because I check their books in and out constantly, but I felt squeamish about pulling anything off the shelf lest someone want to check it out. I really don't know what has been sitting unread. So, I went the easy route and pulled books that looked worn. Then if an author had a slew of books on the shelves I pulled some of those. If a book was number 2 or 3 in a series and the first book wasn't there, I pulled them.

That system seemed to work pretty good until I got to the large print books. They all looked new! I noticed that I was pulling a lot of romance and westerns at first, so I started reading back copy and tried to make guesses on what people might want to check out. Large prints are so popular that I'm sure lots more will be flowing back in so I tried not to worry.

As I boxed up a heaping table full of books today I realized that it doesn't matter how popular an author you are, how famous, or how great your book is, sometimes it's going to get pulled off the shelf because there isn't enough room. I know I'll be happy to share a spot on the shelf at all. I hear that my library's copies of Bedtime Monster will be arriving on Thursday. I wonder whose books they'll be sitting next to on the shelf.

The Unread - Interview with Paul Greci

Paul Greci is a supercool guy. I met him through Twitter when I started talking about random mountain stuff like baking potatoes in the woodstove and skiing to my car to go to town. Paul is sympathetic to my strange mountain lifestyle, he lives in Alaska where things aren't always easy, but he loves the outdoors and where better to experience it! Just wait until you read about his bicycle riding. Now that's dedication! Paul is also a great supporter of writers, sharing his knowledge and expertise when needed. He's certainly helped me before. Paul is a full-time writer of Young Adult novels and is represented by Jennifer De Chiara. He's my next victim on The Unread...

You were a teacher for fifteen years. What sorts of things did you learn from the kids that made you decide to start writing?

I taught English in an alternative school for at-risk teens. I discovered YA fiction while searching for books that my reluctant reader students would actually read, and I fell in love with the genre.

My students were also reluctant writers so we started writing scenes using characters from the novels we were reading. I figured if the characters were already developed my students may have less resistance to writing. Plus, I wanted to make it fun.

So, we’d all write these scenes and then read them out loud. I’m the kind of teacher that participates in the things I assign so I wrote, too. And, I loved it.

(See, I told you he was supercool.)


What types of stories do you write?

So far I’ve written wilderness survival stories, and edgy school stories that have a touch of humor. I have five WIPs. A couple of those I might end up mining for parts, but for now they are intact.


How did you get your agent?

I met my agent at a fund-raiser for starving artists. No, wait. That was a dream I had.

Actually, I sent Jennifer a query letter.

But really, how I got my agent is that I kept rewriting my novel. It took six weeks to write the first draft, then about a year and a half to revise it to get it into querying shape.

(That is a great example of how important revising is!)


Why did you choose to go with Jennifer De Chiara for representation?

I chose to sign with Jennifer because out of the five agents who offered representation I felt like she best understood my writing. She made it clear that she wanted to represent me and not just the one book of mine she’d read. She has a really great reputation, she’s a talented editor, and she doesn’t give up. She totally believes in people going after their dreams. And, she’s fun to work with.

(Five offers! Your book must be awesome!)


How has having an agent changed your writing life?

Having an agent has changed my writing life in a couple of ways: I run ideas by Jennifer before starting a new project. And, I think I’m more motivated to write well. I mean, here’s this amazing person who has offered to work with me on building a writing career. I want to give her the best writing I can. I feel totally fortunate to be in partnership with her.


What do you think is the hardest part about writing? What’s the easiest?

The hardest and easiest parts of writing change for me. When I don’t have an idea for a new story, coming up with an idea feels like the hardest part. When my wrist and thumb rebel from too much keyboard time, or my neck turns to cement, or my eyes ache, the physical act of writing feels the hardest. It constantly changes.


Do you think living in the wilds of Alaska gives you a different point of view than most people? Does this make its way into your writing?

Living in Alaska definitely makes its way into my writing. Two of my five WIPs are set in Alaska. All of my mistakes and misjudgments and close calls in the wilderness are good fodder for stories.

(Well now, that makes me wonder about these wilderness survival stories even more! Eek!)


You have a spot for your computer on your treadmill, how the heck did you come up with this awesome contraption?

My treadmill desk was inspired by pain.

After I left my teaching job to write full-time, my body started rebelling against the countless hours of sitting.

I used to ride my bike to and from work year-round, even when the temperatures dipped to forty below. And, I’d participate in gym class three times a week. Over the years I injured my shoulder playing dodge-ball, cracked a rib playing touch football, pulled various leg muscles, jammed my fingers… the list of injuries goes on. But staying at home and writing was pretty brutal.

A physical therapist suggested a treadmill desk. I had a treadmill because I’m kind of an exercise addict, so I took a piece of plywood and cut a pattern with a jigsaw so it would slide right on. I was pretty amazed that it fit as well as it did. Usually things I build don’t really come out the way I think they should and this actually did.

I spend about half of my writing time walking very slowly and typing. The other half I’m often slouched in a glider-rocking chair by the wood stove with my laptop, basically cancelling out all the good-posture-points I’ve earned. I figure as long as I don’t have a negative balance I’ll do okay.


Can you run and type at the same time?

That sounds like a pretty scary combination of activities. Although I don’t have a cell phone, I’m guessing it’d be like texting while driving, and there’s a law against that.

(Hee hee. I imagined that the faster you ran the faster you could type, whipping up stories at great speed like some writing superhero! Okay, enough of my fantasies, back to Paul's interview.)

What are you working on now?

I just finished a first draft of a YA adventure story set in a post-oil era, global-warming-affected Alaska. It’s still what I’d call realistic fiction even though it is set a tiny bit into the future.


How far would you go to get your book published?

You know, although I definitely obsess about having a book going on submission, I try to tell myself to remember what I do and don’t have control over. I have control over my writing, not how other people respond to it.

So, how far would I go? I think I’ll just keep on writing regardless of whether I get published, but hopefully my writing will continue to improve if I keep pushing myself, and an editor will fall in love with one of my books.

(Well, you should get major points for riding your bike in forty below temperatures, imho.)


If you could live in any book, which one would it be and why?


I never know how to answer this question. But today, I think I’d choose Tuck Everlasting. To be able to travel through time with your family sounds pretty cool. There was something about the combination of magic and realism that sucked me in to the story. Mostly, I read realistic fiction but Tuck Everlasting has stayed with me for years and years and years.

(What? You've had to answer this question before? Maybe I need a new end-of-interview question. And yup, I would have probably drank the water too. It would be so hard to resist!)

Thanks for having me here today, Heather. This was fun!

Thank you, Paul! I was so glad to finally get to ask you some nosy, in depth writing questions! :-)

You can find out lots more about Paul and his Alaskan adventures at his blog: Northwriter. You can also follow Paul on Twitter. He's very nice to talk to.

I Wrote a Book, Now What? (#1) -- Critiques and Revising

I've been getting this question a lot lately and I totally understand. It can seem overwhelming to find your way into a huge industry like publishing. Lucky for us, there is more information out there on publishing than ever. I'm going to do a series of posts answering this question and I'm going to start with something basic--revising.

You may have a great story, but it will get even better with revision. Put it away for a little while until you can get a fresh perspective. I find three months to be helpful. It's okay, you can work on writing something else while you're waiting! You could also go read a bunch of books in the genre you're writing. What? You're doing that already? Good. It's always fun, and when you read tons in your genre it can help you see what works in a story and what doesn't.

When you're ready pull that story out and revise it again (I know I'm ready when I can't stop thinking about the story!), as many times as it takes. Put it away again for a little while if you need to, but when you feel like you can't see anything else that needs to be changed you're ready for the next step, getting critiqued. There are many ways to do this, but the best method I've found is to trade with other writers in the same genre, or at least those that understand the genre. (I know, picture books are kind of a specialty, so I find this point especially important for what I write.) There are lots of ways to find critique partners if you don't have any: writer's chatrooms, local and national organizations, the library...I found my critique group on Verla Kay's Blue Board.

Once you've gotten your critiques, revise accordingly. I know, this can be difficult and the critique/revision process can happen more than once, but it's good to have an open mind and not take offense to anything anyone says. You are all there to help each other. (Yes I know there can be the occasional 'bad critique partner' but I think they are the exception to the rule.) Just keep in mind that it's your story. You don't have to use all of the suggestions. I do take all comments into consideration, and really take notice if more than one person points out a particular spot.

When your critiques and revisions are all done and you cannot see how in the world you can make the story any better it is time to a.) go to a conference and/or workshop and get a professional opinion from an agent or editor. No, this is not a requirement, but it can be pretty eye opening to hear what a professional in the business has to say about a manuscript. OR b.) start querying, which involves writing a query letter(and a synopsis for those of you who write longer books), studying the market(if you haven't already), and submitting to agents and/or editors. I'll do some posts on those topics soon.

Write on people!

Go to: I Wrote a Book, Now What? post #2 -- Market Research

Speaking Spanglish--Why I Chose to Write a Bilingual Picture Book, guest post by Suzanne Santillan

Suzanne Santillan's bilingual picture book GRANDMA'S PEAR TREE/EL PERAL DE ABUELA was published by Raven Tree Press this spring. It's a cute story with beautifully sweet illustrations by Atilio Pernisco. Her book has just been nominated for the California Book Award and a Cybil! Since Suzanne is a fellow Raven Tree Press author I've been lucky enough to get to talk with her a bit and she was nice enough to stop by today to tell us about how she came to write GRANDMA'S PEAR TREE...

When I was young, my father thought it was important for his children to speak Spanish. Growing up in Southern California, I can see why he thought this would be a good thing. I remember sitting at our favorite Mexican restaurant while dad taught us the Spanish words for spoon, fork, chips, etc… This information would help me later in life when I became a manager at a restaurant and I was required to communicate with some of the employees. Thanks to my dad I was able to state such valuable phrases as; “No lechuga in the sink” or “Clean the baño, por favor.” Yes, I had truly mastered speaking “Spanglish.”

Years later, I was grateful when I was easily able to speak with my mother-in-law who lapses from English to Spanish in the blink of an eye. I would find myself translating her “Spanglish” for my husband and my children nearly every conversation. I began to see the wisdom of teaching my children basic Spanish vocabulary, if only so that they could understand their grandmother just a little bit better.



Taking inspiration from real life, I wrote a simple story about a boy who gets his ball stuck up in a tree and has to find a way to get it back down and added a few twists and turns. The end result was a humorous story that taught 16 Spanish words and the phrase “Aye Caramba!”

It is my hope that this story will help children in the future so that when they have to communicate they can say in true “Spanglish” style; “Throw el gato into the tree” or “Use la escoba to get your things down.”

You can find out more about Suzanne and her book, GRANDMA'S PEAR TREE, at her website suzannesantillan.com and at her blog, Writing on the Sidewalk. You can also find her on Twitter @suesantillan.